HONORING
PLANT BREEDER
Frank Morton
Frank Morton of Shoulder to Shoulder Farm in Philomath, OR calls
seeds “the best deal in nature: dense nutritional matter with
a self-organizing program and energy array. For cheap.”
Without formal training, premeditation, or an economic plan, Morton
accidentally became a seedsman. Beginning by selling salad greens
to restaurants near and far, he and his wife Karen developed wild
garden genepools to create a hyperdiversity of leaf forms, colors,
textures and tastes. In the past four years they’ve introduced
22 varieties to the seed trade (not counting material offered only
in their own catalog), including kales, orachs, mizunas, chrysanthemums,
quinoas and lettuces. Their customers are commercial growers and
small seed companies at the cutting edge like Shepherd’s,
Garden City, Seeds of Change, Nichols, J.L. Hudson, Johnny’s–and
Fedco. In 1996 we introduced their Red Orach (#3148), in 1997 their
Blushed Butter Cos (#2836) and Blushed Butter Oaks (#2834) lettuce
gene pools, and in 1998 we are featuring their White Russian Kale
(#3385).
Morton’s proudest accomplishment is not any particular variety,
but the acceptance of several of his genetically diverse gene pools
into the garden seed trade. As he has written, “Exposing gardeners
to the idea that the ‘genetically uncleansed’ can be
exciting, beautiful, useful...is a small step toward accepting diversity
as an asset.” He’ll feel doubly rewarded if some gardeners
are moved to select their favorite forms from these gene pools so
that “new varieties or landraces appear in diverse climates
around the country as a result of this aesthetic impulse.”
Morton has moved beyond the preservation of heirlooms to the creation
of composite populations formed by crossing several heirloom varieties.
These may exhibit the same degree of vigor expressed by F-1 hybrids,
but with a much broader base of genetic diversity. “Heirloom
varieties are not the end of the line–they are the beginning
of new lines.”
Far from being his whole life, plant breeding and selection is
“just another tool in the Wild Garden Life.” Karen and
Frank call their production area the Wild Garden. Their approach
to sustainable agriculture is to return as many processes of production
to the wild as they can. Beavers and coyotes, syrphid flies and
wasps, weeds and wildlings are their teachers; integrating volunteer,
wild and cultivated crops their technique; and an ecosystem of astonishing
resilience and novelty their reward. They surround their terraced
beds with sod pathways and leas where prairie and pasture grasses,
clovers, wildflowers and naturalized wild greens commingle. They
allow crops to bolt and flower to create continuous nectar, pollen,
shelter and prey for beneficial species. Being part of an agroecological
community is so much more satisfying and realistic to Morton than
being its master. He points to the many ancient civilizations who
thrived for centuries as subsistence farmers with increasingly sophisticated
agricultural systems only to “disappear in a relative flash
at what appeared to be the halcyon days of their civilization.”
We should be asking why.
Now breeders now harvesters, now homeschoolers now photographers,
strawbale builders, archers and Wild philosophers, the Mortons live
as they farm–like a meadow. |